ZOE BELOFF: THE SOMNAMBULISTS

The Somnambulists is comprised of five hand-painted miniature wooden theaters, into which moving images are projected. The largest of these theaters will house two high-definition 3-D color video projections of vaudevillian musical dramas: A Modern Case of Possession, and History of a Fixed Idea. Shot stereoscopically, the films depict three-dimensional figures, approximately one fifth of human scale, that appear to perform on stage with an effect closer to hallucination than projection. The installation centers on the idea of literally staging the unconscious as a hysterical drama. For these films, Beloff was inspired by several remarkable developments at the end of the 19th century: the discovery of the unconscious by psychotherapists, doctors’ emerging practice of filming their hysterical patients with motion picture cameras, and the public’s fascination with madness which manifested itself in the emotive, hysterical behavior of actors in Parisian cabarets.

Both A Modern Case of Possession and History of a Fixed Idea are based upon 19th century case histories written by the famous French psycho-pathologist Pierre Janet. In each, an actor representing Dr. Janet acts as a kind of narrator, leading us through scenes in which his patients express their delusions through song. Janet realized that his patients’ hysterical attacks provided a window, visual and auditory, into the unconscious working of their minds. Aware that they could neither hear nor speak to him in the throes of their delirium, Janet discovered that he could communicate by entering their imaginary world, as a second actor. It was as if he had walked into their mental theaters and as a master of ceremonies, was able to alleviate the fears that manifested themselves as grotesque, monstrous creatures.